Takács String Quartet

When the world renowned Takács Quartet completed their recording project of all sixteen Beethoven string quartets in 2006, Alex Ross of The New Yorker wrote, “this survey stands as the most richly expressive modern account of this titanic cycle.” And indeed, their interpretations have stood as the gold standard for Beethoven, from the whimsical and strident early Op. 18 quartets to the cryptic and monumental Grosse Fuge. This concert season, the Takács have chosen Princeton as one of three venues in the United States where they will perform the entire cycle, across six concerts in our Richardson Auditorium, for the last time together.

In a brief thirty-year career, Ludwig van Beethoven journeyed further— expressively, conceptually, and psychologically—than any other composer before or since. His artistic odyssey is considered one of the supreme accomplishments in human history, compared to the building of cathedrals or the rise of empires. The concept of absolute music—music for its own sake, not “about” anything, or in service of the church—crystallized in his wake. And while his nine symphonies arguably contained many of the grandest and most boundary-breaking moments in his catalogue, the sixteen quartets are where he explored within and made his most personal statements. Collectively, the cycle reads like a blueprint for his artistic development.

Over these six performances with the Takács Quartet, we are treated to the ultimate thrill of seeing this blueprint, even more relevant in 2016 than on the day of Beethoven’s death in 1827, unfold before our eyes. Join us for all or as many as you can and be a part of history in the music-making right here on Nassau Street.

Please note: THIS CONCERT WILL BE FOLLOWED BY THE LATE NIGHT CHAMBER JAM.  For more information, or to sign up, click here.